Trash Mountain

ARTIST STATEMENT

I am a child of the 70s, whose sense of futurism is informed by Star Wars (corroded, dusty robots) instead of Tomorrowland. A future with entropy and drug use and weeds growing in the cracks between the scratched plexiglass windows of the geodesic domes. Bits of yarn and dusty houseplants. If this sounds bleak, I don’t mean for it to. Perhaps the healthiest kind of futurism is one that admits entropy and flux. Perfection is suspicious; worn and dusty can mean well-loved, too. Who loves the Stepford Wife?

The visual noise of my youth wasn’t only Reagan and the Day After; it also contained optimism and complexity: Joni Mitchell, Bob Dylan, Mork and Mindy, The Muppets and punk rock.

When I make a giant mountain of handmade trash, I am lost in the fun of making and feel like a kid building a fort. In the end, I must resign myself to the fact that I have just added more crap to the world, but this seems an inevitable part of being an artist and a human. I try to remain optimistic. I like art that is generous in spirit and amateurish, art that inspires rather than intimidates.

I consider art a practice of transformation. We cannot expect to make new energy; instead we must reinvent, recycle and transform what exists already. Making art is my attempt to synthesize my optimistic vision of the future with my pragmatic appraisal of the world I inhabit.

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More art by Megan Whitmarsh

  • Color Work Station

Trash Mountain

by Megan Whitmarsh

  • Custom Order

    Select your print and frame:
    • 8"x10" 24
      Add frame 115
      • Black Frame, recommended 115
      • White Frame 115
    • 11"x14" 60
      Add frame 185
      • Black Frame, recommended 185
      • White Frame 185
    • 16"x20" 240
      Add frame 490
      • Black Frame, recommended 490
      • White Frame 490
  • Unframed prints usually ship within 5 days of purchase.

  • Custom orders ship 3 to 4 weeks after purchase. For faster delivery, select Ready to Ship. Quantities and selection of Ready-to-Ship art are limited.

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ADDITIONAL PRINT INFORMATION

  • Limited-edition, exclusive to 20x200
  • Museum quality: archival inks, 100% cotton rag paper
  • Artist-signed + numbered certificate of authenticity included
  • Directly supports the artist
  • Available framed or print only

These prints are created using archival pigment inks on 100% cotton rag paper with a matte finish.

The original in pencil, gouache, ink and marker on paper is 30″×40″ and is also available. Please email collector@20x200.com for more information.

Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists’ originals. All of our prints have a minimum border of .5 inches to allow for framing.

We recommend a custom frame in black solid wood with UV protected plexiglass and a white archival mat. Please note: Framed art may take up to 4 weeks to ship. Available for U.S. orders only.

  • 8"x10" print offered in 14"x16.5" frame (3/4” front profile x 3/4” side profile)
  • 11"x14" print offered in 16.5"x19.5" frame (3/4” front profile x 3/4” side profile)
  • 16"x20" print offered in 22.5"x27.5" frame (3/4” front profile x 3/4” side profile)

Would you like a framing consultation? Contact our experts: framing@20x200.com.

Learn more about our framed prints.

 

How to Frame Your Art

All of our prints have a minimum border of .25 inches to allow for framing. We do not alter the aspect ratio, crop or resize the artists' originals—quoted dimensions are for the size of paper containing the image, not the printed image itself. For exact image sizes and more helpful info, view our framing guides: