EDITION INFORMATION

I make sculptures and paintings about my anticipatory nostalgia for obsolescing paper media objects. The softness of a read newspaper page and the glossy slickness of a fresh magazine page are sensations embedded in our physical memory — the familiarity of touching these objects allows a relationship to form in the process of consuming the information they provide. When these objects disappear from our culture and assume the homogeneous texture of a back-lit screen, I fear that some of our intimacy with the process of reading will fade.

Fashion magazines are the source materials for my series color codification dot drawings. I make each piece on a sheet of frosted mylar laid over a magazine page. After assigning a color to every letter in the alphabet (numbers are in grayscale, 0=white and 9=black), I apply tiny dots of paint over every character on the page. Each drawing I make has a different color codification, and therefore a different palette. The resulting painting is a legible blur of dots in the form of the article’s layout — like a system of Braille for the color inclined.