My work explores landscape as a memorial. As a painting, a landscape is a physical fact and work of the mind. Landscapes are recorded moments by which we process and order our external environment. They reveal as much about the culture in which they were made as the topography they depict. My most recent body of work documents a Brooklyn in transition. Depicting specific sites of residential construction and decay in the present Williamsburg and Redhook waterfronts, my paintings evoke Brooklyn's industrial past and future development. As American manufacturing has moved overseas, these unused warehouse buildings and structures—icons of the industrial revolution—have been transformed/reclaimed by luxury. Inspired by construction materials, I use metallic pigments, to suggest shimmering bodies of water, overcast or polluted skies, or structural beams.
by Greg Lindquist
archival pigment print
Size ChartThese prints are created using archival pigment inks on 100% cotton rag paper with a matte finish.
The original is 16"x35," oil and metallic on linen, and is also available. Contact collector@20x200.com for more information.
Proceeds from the sale of this print directly benefit BAMart. 20x200 and BAMart thank you for your support of BAMart's innovative programming.
Our quoted dimensions are for the size of paper containing the images, not the printed image itself. We do not alter the aspect ratio, nor do we crop or resize the artists' originals. All of our prints have a minimum border of .5 inches to allow for framing.
Note: this image is panoramic, there will be a large border at the top and bottom of the print.
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